Passionate Language: Constructing a Vocabulary of the Passion in Medieval and Early Modern England
My interest in the history and use of the language of pity has led me to an interest in the social and gender politics of the particular vocabulary that developed in Passion narratives in the fourteenth and fifteenth-centuries. To that end, I am now beginning work on a second project: Passionate Language: Constructing a Vocabulary of the Passion in Medieval and Early Modern England. In this project, I trace how keywords in Passion narratives such as glory, reuthe, and compassion came into the English language and how they were deployed for political purposes. I explore how writers from Nicholas Love and Thomas More to Margery Kempe and Julian of Norwich use these terms to craft their own particular language of the Passion. This project seeks to show the ways in which each author marks themselves as orthodox (and thus aligned with those in political power) even as they claim for themselves a particular and unique intimacy with God. As a part of this research, I am also in the beginning stages of developing a digital archive that studies the relationship between these keywords and their visual representations.